Running time: 79 mins
Director: Seth Gordon
Starring: Steve Wiebe, Billy Mitchell, Walter Day, Mark Alpiger
In the early 1980’s Billy Mitchell set the World Record hit score on Donkey Kong, over two decades later slightly OCD teacher Steve Wiebe has stepped up to claim the throne for himself. Wiebe battles, not only against Donkey Kong or Mitchell but against the Video Game establishment which has long held Mitchell up as their King but when the quarters are down who’ll rise to the challenge?
Seth Gordon’s The King of Kong is more than just a documentary it’s a comedy that’s vastly superior to his fictional offerings like Horrible Bosses and Four Christmases. The film has it’s own share of talking heads but so much of the films comedy is born out of moments that simply involves Gordon following the protagonists around and allowing them to be themselves. Mitchell for example with his beard-mullet combo along with old glory tie has clearly fashioned himself on being the Chuck Norris of Nerds when it actually he bares more of an example to Ben Stiller’s over the top comedy personas, make no mistake Billy people are laughing at you. Whether it’s his zen master inspired philosophies that’s clearly little more than a blow hard enjoying the sound of his own voice or the petty little girl ‘I’m not going over there don’t look, don’t look’ stand off with Wiebe he’s absolutely hysterical for all the wrong reasons. The credit has to go to Gordon for having the confidence in the subject matter and the subjects to allow the camera to roll and roll, it pays off on more than one occasion. Wiebe, by contrasy, is softly spoken unassuming and unbelievably likeable. His run of back luck is enough to endear him to you let alone the unfair, uneven playing field dealt to him by Billy Mitchell and his acolytes.
The rivalry between Mitchell and Wiebe is epic, it’s Rocky Balbao Vs. Apollo Creed with a pocket full of loose change and thumb calasysts. Mitchell, the seasoned pro who’s rested on a reputation longer than he can remember, Wiebe the hungry, raw and talented newcomer. The film documents Mitchell’s mind games, dubious taped world records and petty avoidance tactics not to mention the nepotistic worship from his gaming family and all the while without passing judgement on these grown men and their childish behaviour never mind the fact that he refuses (without actually stating it) to play Wiebe in a live head to head. He leaves it to the audience to draw their own conclusions and whether you’re down with the establishment or fan of the underdog will determine which side you come down on.
What makes King of Kong rewatchable, in the way that some documentaries are not is that it has all the peaks and dips and twists of the most dramatic narrative based film, it’s somewhere between a comedy and a sports film and will probably draw a lot of comparisons to Dodgeball and it probably should. As a child of the 80’s I remember all the game these men pride themselves on being the best of the best at, not to mention the fledging days of gaming which endears the film to me even more. King of Kong: A Fistful of Quarters is a documentary about the small things in life that we make important because of the underlying issues, for KOK it’s injustice and segregation which are highly emotive and important issues. The fact that they’re delivered in the physical manifestation of a moustached Italian/American plumber from
Brooklyn is a testament to those involved. A thoroughly entertaining film and for the record…fuck you Billy Mitchell! Go Team Wiebe.